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Interior designer David Kaihoi shared advice on choosing frames and arranging art at home, drawing on his experience as an art installer and designer. He recommends responding to each artwork and room, mixing frames for collected arrangements and matching them when presenting a series.
Interior designer David Kaihoi has shared guidance on framing and hanging art at home, urging readers to consider each piece alongside the room’s architecture, furniture and light. In an interview published by Veranda, Kaihoi said residential displays can be more playful than museum-style arrangements, with frame and layout choices shaped by the art rather than a single formula.
Kaihoi’s advice draws on his early work as a fine art installer in New York City, where he installed work for interior designers. He recalled seeing sharply different approaches: one designer might hang several pictures together, while another used a single small portrait on a large dining room wall. Kaihoi said both approaches could work, and the contrast taught him how differently art can interact with an interior.
For choosing a frame, Kaihoi recommends studying the artwork and asking what will support it without competing for attention. A black frame may suit a piece that needs a restrained border, while a carved gilt frame can dress up work that can carry a more decorative treatment. He also suggests considering the setting: natural wood might suit a beach home, while glossy black could fit a city interior. These are examples, not fixed rules.
Kaihoi says it can help to compare frame samples in person. A black frame that seems appropriate on paper might compete with a black ink drawing once held beside it; another finish could make the ink stand out. He also looks for secondhand frames at auctions, flea markets and antique markets, sometimes choosing a frame for its value and finding artwork for it later. For selected works, he recommends French matting, a detailed border that can add color and a more finished presentation.
Making Art Fit the Room
Kaihoi’s recommendations put the relationship between art and its surroundings at the center of display decisions. That can help readers make choices with what they already own: the same artwork may call for different framing depending on its colors, the room’s furnishings and the effect the owner wants. His account also challenges the assumption that a polished wall requires uniform spacing or matching frames throughout.
For a series of related works, such as family portraits or similar prints, Kaihoi recommends identical frames when the pieces will be installed together. For a salon wall or art spread around a home, he favors mixing styles to create a collected look. That distinction offers a practical starting point for arranging pieces while leaving room to adapt the display to the specific wall.
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From Installation to Interiors
Kaihoi’s perspective developed through work in both art installation and interior design. After college, he installed art for New York designers and encountered a wide range of choices, from grouped pictures to a single portrait used as a strong focal point. He described the work as a crash course in how art can be displayed in interiors.
He later joined designer Miles Redd’s firm after their paths crossed through installation work. Kaihoi is now a partner in Redd Kaihoi, the design firm identified in the Veranda article. The publication presents his advice as guidance from that professional experience; it does not report a new product launch, formal design standard or change in industry practice.
“The gallery hanging approach is meant for a museum, and it has its place, but in the home, I think it can be much more lively, playful, and up for grabs.”
— David Kaihoi, interior designer
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Advice Without Fixed Measurements
The source gives qualitative design guidance, not measurements for hanging height, spacing, hardware or wall layout. It does not establish that one frame style or arrangement works best for every artwork or home. Kaihoi’s examples describe personal preferences and professional practice, and readers’ choices will depend on the individual piece and room.
The supplied source excerpt ends as it begins a section on common framing mistakes, so it does not provide the full list or Kaihoi’s complete recommendations there. It also gives no publication date, and the guidance does not specify installation methods for different wall materials or artwork weights.
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Apply the Advice Piece by Piece
For readers planning a display, the next step suggested by Kaihoi’s guidance is to assess the artwork, room and intended arrangement together. Compare frame options beside the piece, consider whether related works will hang as a series, and decide whether a mixed arrangement suits the wall. The Veranda report names no upcoming event, follow-up or scheduled change tied to the advice.
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Key Questions
Does Kaihoi recommend matching every frame in a home?
No. He recommends matching frames for works installed together as a series, such as similar prints or family portraits. For a salon wall or pieces displayed in different places, he favors mixing frames.
How should I choose a frame for a specific artwork?
Kaihoi advises studying the artwork and choosing a frame that complements it. A restrained black frame may suit some pieces, while another work may benefit from a more decorative gilt frame. He says comparing samples in person can reveal whether a frame competes with the art.
What is French matting?
In Kaihoi’s description, French matting is an intricate border around the artwork. It can add a complementary color or tone and a more finished look; he says it can work with classical pieces and some contemporary works.
Does the report give specific hanging measurements?
No. The report focuses on visual choices and the relationship between art and a room. It does not give standard heights, spacing measurements or installation instructions.
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